
Alopècia Androgènica
Salvador Sunyer (son) has been the creator of the Temporada Alta festival spots for the last ten years. Coinciding with the thirtieth anniversary of the festival, Salvador has a daughter and does not see himself with the strength to continue being the same person he thought he was.
Alopècia Androgènica is the last short film he will make for this theater festival directed by his own father, with whom he shares a name and hairstyle.
Access by professionals
"Am I or am I not an artist?"
Artistic team
Direction
Salvador Sunyer (son)
script
Salvador Sunyer (son) and Victor Santacana
Performers
Salvador Sunyer (son), Salvador Sunyer (father), Narcís Puig, Marta Montalban, Albert Olivas, Sergio Blanco, Andres Mellinas, Laura Weissmahr, Guillem Barbosa, Serkan Aygin, Athanasios Nakos, Myrto Nakos and Athena Sunyer
In collaboration with
Eduard Sola
original music
Rigoberta Bandini, Diego Pedragosa, Sergio Bertran and Miquel Mestres
Production direction
Arnau Soria
Direction of photography
Tony Vidal
direct sound
David Gascon and Guillem Carvajal
Art direction
Yaiza Ares
Changing room
Paula López de Murillas
Edition
Marc Roca and Martí Blanché
colorist
Luis Velamazán
sound design
Oriol Donat
VFX (visual effects)
Nico Zarza, Victor Duque Allen and Francisco Fernandez
Graphic design
Marc Sancho and Albert Struch
Production & morning
Supported by
darling
Alopècia Androgènica
Salvador Sunyer (son) has been the creator of the Temporada Alta festival spots for the last ten years. Coinciding with the thirtieth anniversary of the festival, Salvador has a daughter and does not see himself with the strength to continue being the same person he thought he was.
Alopècia Androgènica is the last short film he will make for this theater festival directed by his own father, with whom he shares a name and hairstyle.
Access by professionals
Related Videos
The Pleasure Island
A dangerous idea has taken hold: Culture is only for entertainment. It's a luxury. Because from the outside this place looks like a sunny amusement park? Maybe we sold ourselves badly and cheaply. Can we change it or is it useless? It is urgent to point the gun at us. If we consider culture as pure entertainment we will be Pinocchio on the island of pleasure. Playing, sleeping and laughing as we turn into donkeys that no longer serve only to carry stones.
THEATER
Is it legitimate to exercise violence in any situation? Can we use it for purely artistic purposes? Who can and with what intentions?
We have denied violence and that is why we no longer know how to react to it.
This hypothetical play or performance takes place in a train carriage, it is a real sequence shot, it takes the time just between two metro stops and you are its only spectator.
What will you do? What would you do? What are you doing?
And now what?
And now... And now... And now... And now what? What! Now… Now… Now…
A health, social and cultural crisis that has changed everything has placed us in the land of absolute uncertainty, but the arts have always moved and will move in crisis and uncertainty!
Spot Temporada Alta 2010
Tragedy, the song of the goat
Why is everything falling apart? We have forgotten where we came from and do not know where we are going. Everything dies and to be born again you have to be willing to die. If we are lost, why don't we look back? Our tragedy is already 4000 years old. Lyrical tribute to ancient Greece, essential cradle of what we are, and its tragedy today, which is also ours. Love song to the humanistic origin of our culture, the basis of Western rational thought. Tragedy is the origin of everything.
A Spanish Odyssey
Progress is what has made us so different after a few thousand years and has transformed the world so much. Other species are practically the same now as they were thousands of years ago. An example of this is the scorpion, which is also one of the few animals capable of killing itself (or so they say).
The other animal that can do this is, without a doubt, man.
In the desert, the monkey becomes human because he can quench his thirst with the salvific drop that the bottle still contains, or is it precisely because he is already beginning to be (human) that he goes to the bottle, knowing that it does not contain only liquid that will calm him but the essence of what will be permanence and reflection, ie pain?
The latent voice
(first movement)
An actress, Raquel Ferri, gives birth. And an actress, Raquel Ferri, plays the night and day during which she gave birth.
Dreams can also be a matter of life or death. In this dream, the actress multiplies into different women, and prepares to give birth. And in some moment (from the past or the future) he relives the desires, the fears, the hopes, the friction of the bodies in transformation.
At the decisive moment of childbirth, real life and acting embrace and look into each other's eyes, just as it always does in our lives.
XI Dramaturgy Tournament (2nd Battle)
25/10/21
BARBARA MESTANZA - ALBERT TOLA
The most anticipated match of Temporada Alta. Eight playwrights face the audience's verdict with the only weapon of the word. Each week two texts and four actors without technical requirements. Yago Alonso, Carmen Marfà, Bárbara Mestanza, Bernat Molina, Oriol Morales, Begoña Tena, Albert Tola and Aina Tur are the participants in the eleventh edition of the Dramaturgy Tournament.
After four bouts, two semi-finals and a grand final, only one author remains who is declared the absolute winner. Let the show begin, authors in the ring!
XI Dramaturgy Tournament (3rd Battle)
8/11/21
AINA TUR - YAGO ALONSO
The most anticipated match of Temporada Alta. Eight playwrights face the audience's verdict with the only weapon of the word. Each week two texts and four actors without technical requirements. Yago Alonso, Carmen Marfà, Bárbara Mestanza, Bernat Molina, Oriol Morales, Begoña Tena, Albert Tola and Aina Tur are the participants in the eleventh edition of the Dramaturgy Tournament.
After four bouts, two semi-finals and a grand final, only one author remains who is declared the absolute winner. Let the show begin, authors in the ring!
High Season Spot 2012
A tired and economically exhausted country that is part of an old Europe that runs the risk of thinking about the past instead of drawing its future; this is the framework in which the Temporada Alta 2012 festival takes place.
Due to the economic crisis, there is a feeling of a certain general depression in the artistic world which, in addition, causes doubts to be generated about what the role of culture should be at a time like this.