Is it legitimate to exercise violence in any situation? Can we use it for purely artistic purposes? Who can and with what intentions?

We have denied violence and that is why we no longer know how to react to it.

This hypothetical play or performance takes place in a train carriage, it is a real sequence shot, it takes the time just between two metro stops and you are its only spectator.

What will you do? What would you do? What are you doing?

In 1971 Jeanette revolutionized Spain with the song I'm Rebel. The subject was a worldwide success but here it was banned for underage girls. In 2018, and having suffered the biggest rollback of freedoms since Franco, another singer once again made an entire country fall in love with her Rebellion.

Amaia wins the reality show OT and represents Spain at Eurovision thanks to her talent and personality. She is the transformative figure capable of reaching all levels of society. She sings this song for us to hear again. She is the voice of Spain.

Progress is what has made us so different after a few thousand years and has transformed the world so much. Other species are practically the same now as they were thousands of years ago. An example of this is the scorpion, which is also one of the few animals capable of killing itself (or so they say). 

The other animal that can do this is, without a doubt, man.

In the desert, the monkey becomes human because he can quench his thirst with the salvific drop that the bottle still contains, or is it precisely because he is already beginning to be (human) that he goes to the bottle, knowing that it does not contain only liquid that will calm him but the essence of what will be permanence and reflection, ie pain?

Purgatory is a free interpretation of Purgatory. vrather than being like a mythological story about redemption. A cry in favor of the purge. A necessary purge to start over again, having learned from mistakes and pointing out culture as a powerful elevator capable of making the human soul soar.

This it's possible focuses on the audience and man's atavistic need for catharsis, emphasizing the long list of facial and body expressions that any audience makes unconsciously and mechanically. A fascinating visual experience where we will all see ourselves reflected.

speak of'a primary need of man now and in the past, which has always moved him to make theater inside prehistoric caves, later in the theaters of Greece and up to the present day.