Fourth episode of the "Podcast del Temporada Alta" by Xavi Pardo and with the participation of Júlia Barbany and Núria Corominas from the collective Las Huecas, Teresa Turiera-Puigbò from the collective Cultura i Conflicte, Pau Masaló and Irene Visa, playwrights of " Dormitory City", Francesc Cuéllar and Ariadna Peya, co-director of Les Impuxibles.
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DAVID MATARÓ - CARLA ROVIRA
The most anticipated confrontation of Temporada Alta is back. The battle of words between playwrights in the Catalan language reaches its twelfth edition with enviable health and projection. The tournament multiplies since its first edition — with El crèdit of Jordi Galceran as a winner—all over the world and has crossed the original Catalan-speaking territories to also settle in Madrid or Buenos Aires. There, too, the public has the last word. An expansion that also allows crossover fights between winners.
XAVI BUXEDA - BERTA PRIETO
The most anticipated confrontation of Temporada Alta is back. The battle of words between playwrights in the Catalan language reaches its twelfth edition with enviable health and projection. The tournament multiplies since its first edition — with El crèdit of Jordi Galceran as a winner—all over the world and has crossed the original Catalan-speaking territories to also settle in Madrid or Buenos Aires. There, too, the public has the last word. An expansion that also allows crossover fights between winners.
CARLA ROVIRA - XAVI BUXEDA
The most anticipated confrontation of Temporada Alta is back. The battle of words between playwrights in the Catalan language reaches its twelfth edition with enviable health and projection. The tournament multiplies since its first edition — with El crèdit of Jordi Galceran as a winner—all over the world and has crossed the original Catalan-speaking territories to also settle in Madrid or Buenos Aires. There, too, the public has the last word. An expansion that also allows crossover fights between winners.
In the 21st century, not a year goes by that the works of Federico García Lorca do not set foot on our stages, always with public success and always with that validity that only true classics achieve. Why do Federico's words sound so close to us today? What made it so popular? What would you think of the readings and adaptations that are made today of his work? And the problems of access to culture that he already denounced and that we still suffer?
If we are lucky enough to have been able to enjoy some of Stephen Sondheim's musicals in Catalan, it is thanks to the passion and effort of some of our directors, performers and translators. One of the greatest musical composers of the 20th century has starred in glorious pages in the history of our theatre. "Gulf of Rome", "Sweeney Todd", "A Little Night Music", "Follies" or "Company" are some of the titles that appear in this conversation about music and theater, translation and language, craft and passion. A memory, a tribute... A party dedicated to the great Stephen Sondheim.
LOLA ROSALES - CARLA ROVIRA
The most anticipated confrontation of Temporada Alta is back. The battle of words between playwrights in the Catalan language reaches its twelfth edition with enviable health and projection. The tournament multiplies since its first edition — with El crèdit of Jordi Galceran as a winner—all over the world and has crossed the original Catalan-speaking territories to also settle in Madrid or Buenos Aires. There, too, the public has the last word. An expansion that also allows crossover fights between winners.
Classic texts are part of our tradition and are never missing from festival and theater programs. Now, in the middle of the 21st century, perhaps the time has come to consider how we read and represent them. What do we make of their misogynistic, racist, LGBTI-phobic, classist and more messages, a product of the times and contexts in which they were written and, above all, how do we offer them to new generations, both in theaters and classrooms ? We talk about adaptations, revisions and subversions, always with a feminist perspective and a bit of punk.
VÍCTOR BORRÀS - YAIZA BERROCAL
The most anticipated confrontation of Temporada Alta is back. The battle of words between playwrights in the Catalan language reaches its twelfth edition with enviable health and projection. The tournament multiplies since its first edition — with El crèdit of Jordi Galceran as a winner—all over the world and has crossed the original Catalan-speaking territories to also settle in Madrid or Buenos Aires. There, too, the public has the last word. An expansion that also allows crossover fights between winners.
XAVI BUXEDA - VÍCTOR BORRÀS
The most anticipated confrontation of Temporada Alta is back. The battle of words between playwrights in the Catalan language reaches its twelfth edition with enviable health and projection. The tournament multiplies since its first edition — with El crèdit of Jordi Galceran as a winner—all over the world and has crossed the original Catalan-speaking territories to also settle in Madrid or Buenos Aires. There, too, the public has the last word. An expansion that also allows crossover fights between winners.
DAVID MATARÓ - SERGIO SERRANO
The most anticipated confrontation of Temporada Alta is back. The battle of words between playwrights in the Catalan language reaches its twelfth edition with enviable health and projection. The tournament multiplies since its first edition — with El crèdit of Jordi Galceran as a winner—all over the world and has crossed the original Catalan-speaking territories to also settle in Madrid or Buenos Aires. There, too, the public has the last word. An expansion that also allows crossover fights between winners.