With a deliberately dreamy tone, The latent voice explores the desires, fears and hopes of a woman at such a decisive moment in her life as childbirth.
Artistic team
Direction and assembly
Isaki Lacuesta
Performers
Raquel Ferri, Silvia Perez Cruz, Albert Ubach Font, Martí Ferri Ubach and Luna Lacuesta
photography
Adriana Villa Guevara
Camera Assistant
Pau Mira
Executive production
Isa Field
Changing room
Lorena Panea
laboratory
Cinelabs
Cinelabs coordination
Cornelia Pope
Kodak film
Alejandro Paino
Team Sílvia Pérez Cruz
Alex Sanchez and Albert Smiles
Music
The Womb (Silvia Perez Cruz / Sylvia Plath)
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This it's possible focuses on the audience and man's atavistic need for catharsis, emphasizing the long list of facial and body expressions that any audience makes unconsciously and mechanically. A fascinating visual experience where we will all see ourselves reflected.
speak of'a primary need of man now and in the past, which has always moved him to make theater inside prehistoric caves, later in the theaters of Greece and up to the present day.
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Salvador Sunyer (son) has been the creator of the Temporada Alta festival spots for the last ten years. Coinciding with the thirtieth anniversary of the festival, Salvador has a daughter and does not see himself with the strength to continue being the same person he thought he was.
Alopècia Androgènica is the last short film he will make for this theater festival directed by his own father, with whom he shares a name and hairstyle.
The rise of the extreme right is a global phenomenon. On the European continent, it is being demonstrated with attacks on various groups by their violent factions, to electoral results that have even led to the presidency of the ultra parties of countries with so much weight in the European Union like Italy How is this reality transferred to theatrical settings? How should we respond from the current creation? How is democracy preserved? Is the anti-fascist position something for all democrats? We talk about it in this episode that aims to overcome hate speech.
La Caverna is an audiovisual project where a series of artists who have been through Temporada Alta and linked to the festival reflect on their career, the performing arts and the world of creation, together with other artists, journalists and international personalities from the world of the culture
A dangerous idea has taken hold: Culture is only for entertainment. It's a luxury. Because from the outside this place looks like a sunny amusement park? Maybe we sold ourselves badly and cheaply. Can we change it or is it useless? It is urgent to point the gun at us. If we consider culture as pure entertainment we will be Pinocchio on the island of pleasure. Playing, sleeping and laughing as we turn into donkeys that no longer serve only to carry stones.
Progress is what has made us so different after a few thousand years and has transformed the world so much. Other species are practically the same now as they were thousands of years ago. An example of this is the scorpion, which is also one of the few animals capable of killing itself (or so they say).
The other animal that can do this is, without a doubt, man.
In the desert, the monkey becomes human because he can quench his thirst with the salvific drop that the bottle still contains, or is it precisely because he is already beginning to be (human) that he goes to the bottle, knowing that it does not contain only liquid that will calm him but the essence of what will be permanence and reflection, ie pain?
24/10/22
LOLA ROSALES - CARLA ROVIRA
The most anticipated match of Temporada Alta. Eight playwrights face the audience's verdict with the only weapon of the word. Each week two texts and four actors without technical requirements. Yaiza Berrocal, Víctor Borràs, Xavi Buxeda, David Mataró, Berta Prieto, Lola Rosales, Carla Rovira and Sergio Serrano are the participants of the twelfth edition of the Dramaturgy Tournament.
After four bouts, two semi-finals and a grand final, only one author remains who is declared the absolute winner. Let the show begin, authors in the ring!
If we are lucky enough to have been able to enjoy some of Stephen Sondheim's musicals in Catalan, it is thanks to the passion and effort of some of our directors, performers and translators. One of the greatest musical composers of the 20th century has starred in glorious pages in the history of our theatre. "Gulf of Rome", "Sweeney Todd", "A Little Night Music", "Follies" or "Company" are some of the titles that appear in this conversation about music and theater, translation and language, craft and passion. A memory, a tribute... A party dedicated to the great Stephen Sondheim.
Purgatory is a free interpretation of Purgatory. vrather than being like a mythological story about redemption. A cry in favor of the purge. A necessary purge to start over again, having learned from mistakes and pointing out culture as a powerful elevator capable of making the human soul soar.