The Cave Vol. 3 Declan Donnellan
La Caverna is an audiovisual project where a series of artists who have been through Temporada Alta and linked to the festival reflect on their career, the performing arts and the world of creation, together with other artists, journalists and international personalities from the world of the culture
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Stage manager Declan Donnellan talks to Arantxa Vela, a journalist specializing in performing arts at TVE, about his career and the company Cheek by Jowl.
Artistic team
With
Declan Donnellan
and Arantxa Vela
Audiovisual design and production
Salvador Sunyer and Vidal
Production
The Cave Vol. 3 Declan Donnellan
La Caverna is an audiovisual project where a series of artists who have been through Temporada Alta and linked to the festival reflect on their career, the performing arts and the world of creation, together with other artists, journalists and international personalities from the world of the culture
Access by professionals
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The latent voice
(first movement)
An actress, Raquel Ferri, gives birth. And an actress, Raquel Ferri, plays the night and day during which she gave birth.
Dreams can also be a matter of life or death. In this dream, the actress multiplies into different women, and prepares to give birth. And in some moment (from the past or the future) he relives the desires, the fears, the hopes, the friction of the bodies in transformation.
At the decisive moment of childbirth, real life and acting embrace and look into each other's eyes, just as it always does in our lives.
The Cave Vol. 4 Christine Jatahy
La Caverna is an audiovisual project where a series of artists who have been through Temporada Alta and linked to the festival reflect on their career, the performing arts and the world of creation, together with other artists, journalists and international personalities from the world of the culture
#4 Death, old age and suicide
Have you ever wondered what your death will be like? Have you ever thought if the last years of your life? Will you spend your old age in a retirement home? Have you ever contemplated suicide? In a single chapter we will talk about topics that we constantly avoid. Three taboos Let's start with one of the few certainties we have, death. What equalizes everyone never appears in conversations and a good excuse can be provided, precisely, by plays such as "Those who do not die" by Las Huecas or "Sleeping City" by Pau Masaló and Irene Visa. But, before reaching the end of life, we also do not talk about the previous stage of most mortals, old age. We look away from it so much that it even gives rise to discrimination such as ageism. "Moriu-vos", the new "Culture and conflict" project, invites us to reflect on it. Finally, another taboo that we break is that of suicide. There are more and more people who consider that hiding it under silence does it no good, but that it is by talking about it and well, that we can prevent it. Two recent shows face him, "Harakiri" by Les Impuxibles and "Lacrimosa" by Bárbara Mestanza and Francesc Cuéllar. Will you join us for this walk that starts in a cemetery?
The Cave Vol. 1 Angelica Liddell
La Caverna is an audiovisual project where a series of artists who have been through Temporada Alta and linked to the festival reflect on their career, the performing arts and the world of creation, together with other artists, journalists and international personalities from the world of the culture
The Cave Vol. 6 Marcos Morau (Veronal)
La Caverna is an audiovisual project where a series of artists who have been through Temporada Alta and linked to the festival reflect on their career, the performing arts and the world of creation, together with other artists, journalists and international personalities from the world of the culture
The Cave Vol. 5 María Muñoz (Bad Hair)
La Caverna is an audiovisual project where a series of artists who have been through Temporada Alta and linked to the festival reflect on their career, the performing arts and the world of creation, together with other artists, journalists and international personalities from the world of the culture
XII Playwriting Tournament (Semifinal 2)
28/11/22
XAVI BUXEDA - VÍCTOR BORRÀS
The most anticipated match of Temporada Alta. Eight playwrights face the audience's verdict with the only weapon of the word. Each week two texts and four actors without technical requirements. Yaiza Berrocal, Víctor Borràs, Xavi Buxeda, David Mataró, Berta Prieto, Lola Rosales, Carla Rovira and Sergio Serrano are the participants of the twelfth edition of the Dramaturgy Tournament.
After four bouts, two semi-finals and a grand final, only one author remains who is declared the absolute winner. Let the show begin, authors in the ring!
XII Dramaturgy Tournament (2nd Battle)
17/10/22
XAVI BUXEDA - BERTA PRIETO
The most anticipated match of Temporada Alta. Eight playwrights face the audience's verdict with the only weapon of the word. Each week two texts and four actors without technical requirements. Yaiza Berrocal, Víctor Borràs, Xavi Buxeda, David Mataró, Berta Prieto, Lola Rosales, Carla Rovira and Sergio Serrano are the participants of the twelfth edition of the Dramaturgy Tournament.
After four bouts, two semi-finals and a grand final, only one author remains who is declared the absolute winner. Let the show begin, authors in the ring!
#2 Contemporary creation
Labels always cause problems, especially when we want to label things that are difficult to label. Stage installations, the theater of objects or the so-called "theatre without theatre" are described with terms such as contemporary creation, new dramaturgies, multidisciplinary, hybrid... But the fact is that the performing arts are not always, by definition , contemporary, multidisciplinary and hybrid? We talk to three pairs of creators who have a lot to say on the subject. And that, in addition, they put on fantastic shows.
#1 Based on true events
It's been years since reality entered the theaters and took over the stage. As has also happened with the rise of the essay in literature or the documentary in audiovisuals, creators and audiences have become interested in theater that speaks not only of reality but also of the present. Because? Do we need to understand the permanent crisis we live in? Has fiction distanced the theater from the spectator? Are we tired of the 'lies'? Is the theater the best space for collective reflection?