With a deliberately dreamy tone, The latent voice explores the desires, fears and hopes of a woman at such a decisive moment in her life as childbirth.
Artistic team
Direction and assembly
Isaki Lacuesta
Performers
Raquel Ferri, Silvia Perez Cruz, Albert Ubach Font, Martí Ferri Ubach and Luna Lacuesta
photography
Adriana Villa Guevara
Camera Assistant
Pau Mira
Executive production
Isa Field
Changing room
Lorena Panea
laboratory
Cinelabs
Cinelabs coordination
Cornelia Pope
Kodak film
Alejandro Paino
Team Sílvia Pérez Cruz
Alex Sanchez and Albert Smiles
Music
The Womb (Silvia Perez Cruz / Sylvia Plath)
Related Videos
In the 21st century, not a year goes by that the works of Federico García Lorca do not set foot on our stages, always with public success and always with that validity that only true classics achieve. Why do Federico's words sound so close to us today? What made it so popular? What would you think of the readings and adaptations that are made today of his work? And the problems of access to culture that he already denounced and that we still suffer?
28/11/22
XAVI BUXEDA - VÍCTOR BORRÀS
The most anticipated match of Temporada Alta. Eight playwrights face the audience's verdict with the only weapon of the word. Each week two texts and four actors without technical requirements. Yaiza Berrocal, Víctor Borràs, Xavi Buxeda, David Mataró, Berta Prieto, Lola Rosales, Carla Rovira and Sergio Serrano are the participants of the twelfth edition of the Dramaturgy Tournament.
After four bouts, two semi-finals and a grand final, only one author remains who is declared the absolute winner. Let the show begin, authors in the ring!
Have you ever wondered what your death will be like? Have you ever thought if the last years of your life? Will you spend your old age in a retirement home? Have you ever contemplated suicide? In a single chapter we will talk about topics that we constantly avoid. Three taboos Let's start with one of the few certainties we have, death. What equalizes everyone never appears in conversations and a good excuse can be provided, precisely, by plays such as "Those who do not die" by Las Huecas or "Sleeping City" by Pau Masaló and Irene Visa. But, before reaching the end of life, we also do not talk about the previous stage of most mortals, old age. We look away from it so much that it even gives rise to discrimination such as ageism. "Moriu-vos", the new "Culture and conflict" project, invites us to reflect on it. Finally, another taboo that we break is that of suicide. There are more and more people who consider that hiding it under silence does it no good, but that it is by talking about it and well, that we can prevent it. Two recent shows face him, "Harakiri" by Les Impuxibles and "Lacrimosa" by Bárbara Mestanza and Francesc Cuéllar. Will you join us for this walk that starts in a cemetery?
Is it legitimate to exercise violence in any situation? Can we use it for purely artistic purposes? Who can and with what intentions?
We have denied violence and that is why we no longer know how to react to it.
This hypothetical play or performance takes place in a train carriage, it is a real sequence shot, it takes the time just between two metro stops and you are its only spectator.
What will you do? What would you do? What are you doing?
A dangerous idea has taken hold: Culture is only for entertainment. It's a luxury. Because from the outside this place looks like a sunny amusement park? Maybe we sold ourselves badly and cheaply. Can we change it or is it useless? It is urgent to point the gun at us. If we consider culture as pure entertainment we will be Pinocchio on the island of pleasure. Playing, sleeping and laughing as we turn into donkeys that no longer serve only to carry stones.
In 1971 Jeanette revolutionized Spain with the song I'm Rebel. The subject was a worldwide success but here it was banned for underage girls. In 2018, and having suffered the biggest rollback of freedoms since Franco, another singer once again made an entire country fall in love with her Rebellion.
Amaia wins the reality show OT and represents Spain at Eurovision thanks to her talent and personality. She is the transformative figure capable of reaching all levels of society. She sings this song for us to hear again. She is the voice of Spain.
And now... And now... And now... And now what? What! Now… Now… Now…
A health, social and cultural crisis that has changed everything has placed us in the land of absolute uncertainty, but the arts have always moved and will move in crisis and uncertainty!
Why is everything falling apart? We have forgotten where we came from and do not know where we are going. Everything dies and to be born again you have to be willing to die. If we are lost, why don't we look back? Our tragedy is already 4000 years old. Lyrical tribute to ancient Greece, essential cradle of what we are, and its tragedy today, which is also ours. Love song to the humanistic origin of our culture, the basis of Western rational thought. Tragedy is the origin of everything.
This it's possible focuses on the audience and man's atavistic need for catharsis, emphasizing the long list of facial and body expressions that any audience makes unconsciously and mechanically. A fascinating visual experience where we will all see ourselves reflected.
speak of'a primary need of man now and in the past, which has always moved him to make theater inside prehistoric caves, later in the theaters of Greece and up to the present day.
17/10/22
XAVI BUXEDA - BERTA PRIETO
The most anticipated match of Temporada Alta. Eight playwrights face the audience's verdict with the only weapon of the word. Each week two texts and four actors without technical requirements. Yaiza Berrocal, Víctor Borràs, Xavi Buxeda, David Mataró, Berta Prieto, Lola Rosales, Carla Rovira and Sergio Serrano are the participants of the twelfth edition of the Dramaturgy Tournament.
After four bouts, two semi-finals and a grand final, only one author remains who is declared the absolute winner. Let the show begin, authors in the ring!