The rise of the extreme right is a global phenomenon. On the European continent, it is being demonstrated with attacks on various groups by their violent factions, to electoral results that have even led to the presidency of the ultra parties of countries with so much weight in the European Union like Italy How is this reality transferred to theatrical settings? How should we respond from the current creation? How is democracy preserved? Is the anti-fascist position something for all democrats? We talk about it in this episode that aims to overcome hate speech.

Classic texts are part of our tradition and are never missing from festival and theater programs. Now, in the middle of the 21st century, perhaps the time has come to consider how we read and represent them. What do we make of their misogynistic, racist, LGBTI-phobic, classist and more messages, a product of the times and contexts in which they were written and, above all, how do we offer them to new generations, both in theaters and classrooms ? We talk about adaptations, revisions and subversions, always with a feminist perspective and a bit of punk.

If we are lucky enough to have been able to enjoy some of Stephen Sondheim's musicals in Catalan, it is thanks to the passion and effort of some of our directors, performers and translators. One of the greatest musical composers of the 20th century has starred in glorious pages in the history of our theatre. "Gulf of Rome", "Sweeney Todd", "A Little Night Music", "Follies" or "Company" are some of the titles that appear in this conversation about music and theater, translation and language, craft and passion. A memory, a tribute... A party dedicated to the great Stephen Sondheim.