The latent voice
(first movement)
An actress, Raquel Ferri, gives birth. And an actress, Raquel Ferri, plays the night and day during which she gave birth.
Dreams can also be a matter of life or death. In this dream, the actress multiplies into different women, and prepares to give birth. And in some moment (from the past or the future) he relives the desires, the fears, the hopes, the friction of the bodies in transformation.
At the decisive moment of childbirth, real life and acting embrace and look into each other's eyes, just as it always does in our lives.
Access by professionals
With a deliberately dreamy tone, The latent voice explores the desires, fears and hopes of a woman at such a decisive moment in her life as childbirth.
Artistic team
Direction and assembly
Isaki Lacuesta
Performers
Raquel Ferri, Silvia Perez Cruz, Albert Ubach Font, Martí Ferri Ubach and Luna Lacuesta
photography
Adriana Villa Guevara
Camera Assistant
Pau Mira
Executive production
Isa Field
Changing room
Lorena Panea
laboratory
Cinelabs
Cinelabs coordination
Cornelia Pope
Kodak film
Alejandro Paino
Team Sílvia Pérez Cruz
Alex Sanchez and Albert Smiles
Music
The Womb (Silvia Perez Cruz / Sylvia Plath)
The latent voice
(first movement)
An actress, Raquel Ferri, gives birth. And an actress, Raquel Ferri, plays the night and day during which she gave birth.
Dreams can also be a matter of life or death. In this dream, the actress multiplies into different women, and prepares to give birth. And in some moment (from the past or the future) he relives the desires, the fears, the hopes, the friction of the bodies in transformation.
At the decisive moment of childbirth, real life and acting embrace and look into each other's eyes, just as it always does in our lives.
Access by professionals
Related Videos
Tragedy, the song of the goat
Why is everything falling apart? We have forgotten where we came from and do not know where we are going. Everything dies and to be born again you have to be willing to die. If we are lost, why don't we look back? Our tragedy is already 4000 years old. Lyrical tribute to ancient Greece, essential cradle of what we are, and its tragedy today, which is also ours. Love song to the humanistic origin of our culture, the basis of Western rational thought. Tragedy is the origin of everything.
Alopècia Androgènica
Salvador Sunyer (son) has been the creator of the Temporada Alta festival spots for the last ten years. Coinciding with the thirtieth anniversary of the festival, Salvador has a daughter and does not see himself with the strength to continue being the same person he thought he was.
Alopècia Androgènica is the last short film he will make for this theater festival directed by his own father, with whom he shares a name and hairstyle.
The Voice of Spain
In 1971 Jeanette revolutionized Spain with the song I'm Rebel. The subject was a worldwide success but here it was banned for underage girls. In 2018, and having suffered the biggest rollback of freedoms since Franco, another singer once again made an entire country fall in love with her Rebellion.
Amaia wins the reality show OT and represents Spain at Eurovision thanks to her talent and personality. She is the transformative figure capable of reaching all levels of society. She sings this song for us to hear again. She is the voice of Spain.
XII Playwriting Tournament (Semifinal 1)
14/11/22
DAVID MATARÓ - CARLA ROVIRA
The most anticipated match of Temporada Alta. Eight playwrights face the audience's verdict with the only weapon of the word. Each week two texts and four actors without technical requirements. Yaiza Berrocal, Víctor Borràs, Xavi Buxeda, David Mataró, Berta Prieto, Lola Rosales, Carla Rovira and Sergio Serrano are the participants of the twelfth edition of the Dramaturgy Tournament.
After four bouts, two semi-finals and a grand final, only one author remains who is declared the absolute winner. Let the show begin, authors in the ring!
The Pleasure Island
A dangerous idea has taken hold: Culture is only for entertainment. It's a luxury. Because from the outside this place looks like a sunny amusement park? Maybe we sold ourselves badly and cheaply. Can we change it or is it useless? It is urgent to point the gun at us. If we consider culture as pure entertainment we will be Pinocchio on the island of pleasure. Playing, sleeping and laughing as we turn into donkeys that no longer serve only to carry stones.
A Spanish Odyssey
Progress is what has made us so different after a few thousand years and has transformed the world so much. Other species are practically the same now as they were thousands of years ago. An example of this is the scorpion, which is also one of the few animals capable of killing itself (or so they say).
The other animal that can do this is, without a doubt, man.
In the desert, the monkey becomes human because he can quench his thirst with the salvific drop that the bottle still contains, or is it precisely because he is already beginning to be (human) that he goes to the bottle, knowing that it does not contain only liquid that will calm him but the essence of what will be permanence and reflection, ie pain?
The Cave Vol. 1 Angelica Liddell
La Caverna is an audiovisual project where a series of artists who have been through Temporada Alta and linked to the festival reflect on their career, the performing arts and the world of creation, together with other artists, journalists and international personalities from the world of the culture
Purgatory
Purgatory is a free interpretation of Purgatory. vrather than being like a mythological story about redemption. A cry in favor of the purge. A necessary purge to start over again, having learned from mistakes and pointing out culture as a powerful elevator capable of making the human soul soar.
#2 Contemporary creation
Labels always cause problems, especially when we want to label things that are difficult to label. Stage installations, the theater of objects or the so-called "theatre without theatre" are described with terms such as contemporary creation, new dramaturgies, multidisciplinary, hybrid... But the fact is that the performing arts are not always, by definition , contemporary, multidisciplinary and hybrid? We talk to three pairs of creators who have a lot to say on the subject. And that, in addition, they put on fantastic shows.
#3 The far right scene
The rise of the extreme right is a global phenomenon. On the European continent, it is being demonstrated with attacks on various groups by their violent factions, to electoral results that have even led to the presidency of the ultra parties of countries with so much weight in the European Union like Italy How is this reality transferred to theatrical settings? How should we respond from the current creation? How is democracy preserved? Is the anti-fascist position something for all democrats? We talk about it in this episode that aims to overcome hate speech.










